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Votes:0 Click to renew your subscription for only $20! Click to send a personalized Gift Membership for only $20! Login to be recognized as a subscriber. Click to subscribe to the Archives for $25/year J.S.Bach Beethoven Brahms Chopin Debussy Handel Haydn Liszt Mendelssohn Mozart Schubert Schumann Tchaikovsky Vivaldi *All* ( Add the button to your Google Toolbar to access these directly...) Link the CMA Send the CMA Enable Javascript Discussion Forum MAINTENANCE WARNING: THE SITE WILL RETURN TO NORMAL OPERATIONS AS SOON AS PRACTICABLE. WE APOLOGIZE FOR ANY INCONVENIENCE CAUSED. --> Pyotr Ilich TCHAIKOVSKY (1840-93); RUS Playing, saving and burning instructions Page last modified on Thursday, 22-Feb-2007 21:12:30 GMT Live recordings by composer by instrument / performer Main >= 1600 Early < 1 Read More Go to Site
Votes:0 CDGIM 024 Track details Thomas Tomkins (1572-1656), who died 13 years after Monteverdi, was an early example of that well-known phenomenon which has characterised the careers of some of the greatest British composers. They all made a significant contribution to the music of their time, but did so in a style which, when they came to take it up, had been thoroughly explored and discarded elsewhere in Europe. In fact a glance at Tomkins' date of birth will show that he was of the same generation as Thomas Weelkes (c.1576-1623) and Orlando Gibbons (1583-1625), a generation which produced an astonishing number of talented composers, all of whom adhered to the principles of renaissance polyphonic composition. Many of them, including Tomkins, were pupils of William Byrd (1543-1623); most of them, Read More Go to Site
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